ALEKSANDRA
KLIMCZAK
Commercial Work
Photography has been a huge part of my life for as long as I can remember. I was about 10 when I first started taking photos of the world around me,
I studied Photography at TU Dublin and earned my Bachelor’s degree, which gave me a solid foundation to turn my passion into a career. After that, I worked at WeShoot, a photography studio where I developed a sharp eye for E-commerce and Campaign photography, shooting for brands such as Life Style Sports, Gym+Coffee, Benetti, Helen McAlinden, Douglas and Grahame, Louise Kennedy, Nicki Hoyne, Knight and Day and many more.
I’ve also worked extensively with RTÉ, capturing press imagery and behind-the-scenes moments from their productions. In addition, I’ve photographed numerous campaigns and commercial projects for boutiques and brands across Ireland, helping them create compelling visual identities.
I love bringing ideas to life—whether working with a brand that has a clear vision or helping one shape its unique style. My goal is always to create visuals that feel fresh, engaging, and true to the brand’s identity.
Personal Work
My practice that blends both commercial contexts and contemporary art. My early work was shaped by the commercial demands of the photography industry, but over time, my style has evolved into something more personal and reflective. I focus on perfection in my photography, capturing images that are meticulously crafted and precise, yet this perfection contrasts with the chaos and imperfections of the world we live in.
My fashion photography is deeply influenced by contemporary art and popular culture, with a strong emphasis on juxtaposition. I’m fascinated by the tension between opposites—beauty and rawness, order and chaos, fantasy and reality—and how these contrasting elements can coexist within a single frame. Fashion, often associated with consumption, desire, and excess, becomes a medium through which I critically engage with these ideas. I aim to reflect not just the glamour and allure of the fashion world, but the underlying psychological and emotional tensions that often come with it. This contrast allows me to explore the complexities of human experience, challenging the viewer to look beyond the surface.
I’m always open to new commissions and collaborations that allow me to push creative boundaries and explore fresh concepts in both the commercial and artistic realms.
